Monday, January 16, 2006

Why am I here?

It's unbelievable how tired I am. I feel drugged. All last night and all this morning, I just cannot wake up. And I'm sore as hell because there was a kick-ass AC/DC tribute band at the Dame this weekend. I kinda got into it, but it turns out I'm an old fart and now it feels like I was in a horrible car accident. I also have a giant goose-egg on my shin and I have no recollection of what may have caused that. So, all-in-all, not a bad weekend. But I'm paying for it now.

I don't really have anything to compare this to, but it seems like our little power trio is coming together nicely. We've got most of the covers down-pat and have our own sound that we've applied to several of the classics, and I really like it. And I rented a DigiTech GNX4 floor processor for my guitar. The ME-50 is going on eBay, and I'm buying a GNX4. That thing is just too cool, and I barely know how to use it yet. Once I get a new one with the owner's manual and the software... mmmmmm....

So now here I am at work, and I should be calling my partners to babble about printer sales and try to somehow make them care about it. It's basically like trying to convince kids to eat their vegetables. All day. Not exactly song-writing material. I feel suffocated in this place. I'd rather be in a place where I could meet different people and learn things I didn't already know. Right now is just repetition. Music is creation and invention. That's really why I want to move from where I am to where I want to be.

Am I really tired? I have this ringing in my ears and this swimmy feeling, but I wonder if it's fatigue or if it's just sheer terror. The thought of being here, in this place, for 40 more years absolutely terrifies me. Have you ever walked into a dark room or somewhere that inspires a feeling of dread and had something scare you so bad that you almost passed out? That's how I feel right now, only to a slightly lesser extent and dragged out over days and weeks instead of just a moment.

Although I don't really see the difference between my daily existence now and one lone, drawn out repeating event. Saturdays and Wednesdays are what I live for to get fulfillment, because that's when I get to play music with other people. I like practicing on my own, don't get me wrong, and I know I need to, but nothing compares to the feeling of solidarity when you're really in a groove with other musicians, things are just clicking, and it's like you're all thinking with one mind.

That never, never, EVER happens here at work, and it can't. This place isn't capable of inspiring that kind of human achievement. No-one here is interested in personal improvement or innovation or exploration. Companies aren't interested in employees thinking for themselves; they're just interested in efficient repetion. Work 8:30 - 5:30 Monday through Friday and take lunch from 12:00 - 1:00. Or skip lunch. Don't worry about food. Only break routine if it results in you doing MORE work. Stay late if there's more work to do, but never leave early if there's less work to do.

I just finished reading Orwell's 1984, and the afterword by Erich Fromm is one of the most poignant pieces of literature I've read. The blending of government and corporate giants in the US is creating an invincible leviathan that's absorbing the human spirit. And it wants everyone. Not content to consume just the soul of man, now it wants women who prefer to stay home to raise a family to feel somehow inferior because of it. It wants to suck them into the abyss of cyclical living because cyclical, mindless automatons suit their purposes. After men and women, it's obvious who'll be next to follow.

Doublethink is probably the most fascinating concept from 1984. It's basically the concept of believing two condradictory things.

War is Peace.

Slavery is Freedom.

2 + 2 = 5.

Employment is security.

People believe these things, and the leviathan creates, supports and nurtures the belief.

"No Credit? No problem!"

"Low Prices, High Quality!"

"Get a lot, Pay a little!"

"I am an Army of One."

You know what those kinds of contrary beliefs lead to? Apathy. Your mind spends time struggling to reconcile the lack of logic and, with little to no support from kindrid minds it eventually burns out and gives up. Acceptance is apathy, but that's what the leviathan wants. The truth of the government/corporation lovechild ruling our world is that it gains power for the sake of power. There is no objective like world peace or general happiness amongst the masses. Power IS the objective. Power is not the means, power is the ends. Power for the sake of power. And power is the ability to crush a person's existence.

Forcing someone to sit in a box and repeat the same mindless activity day in and day out is raw, unadulterated, unholy power. Simply breathing and eating and exercising and buying and selling and driving and talking is NOT living; don't kid yourself.

Apathy is death.

We are the dead.

Saturday, January 07, 2006

Coming together

We had our first official practice today. Three hours, non-stop. My fingers are killing me and it's really hard to type with my left hand. Each time I hit a key, there's about a fifty-fifty chance I'll be treated to a searing pain under the fingernail that resembles bamboo splinters being shoved underneath. I'm not kidding; this shit hurts. I can soak them in ice water to numb the pain, but that only helps temporarily and I think it hurts even worse once they thaw. This happens when I have a long, hot and sweaty jamming session. I think the weight of the callouses on my fingertips combined with the mushy flesh underneath makes the nail start to pull away from the meat of my finger.

Summary: Ouch.

Enough of my complaining, though. It was a really good practice and things seem to be coming together very quickly. I'm finding that I'm most self-conscious of and least confident in my vocals. It's hardest when you're covering a song, I think, because you're caught between trying to do justice to the original song, so you don't want to sound too different from the original singer, but at the same time you don't want to sound too much the same because then you're just doing a bad Eddie Vedder impression. And no-one wants to hear that. But is there another way to sing Yellow Ledbetter other than unintelligible mumble singing? I dunno, it doesn't seem right somehow.

As it turns out, my bandmates (Bob Barker (bass) and Rick Nelson (guitar)(and no, I'm not kidding (seriously, I'm not. Those are their names)) are well experienced and have even played with ZZ Top and some other big names that I now forget. Bob knows my dad's wife from their church, which was a funny coincidence. But they're really easy to play with and are really, really talented. They're in their sixties, and they can play with amazing speed and accuracy. Puts me to shame, but it's motivation to keep busting my ass. I think I'm gonna have to lay off the strings for a couple days, though, until my fingers heal. People say Stevie Ray Vaughan would have this problem and solved it with superglue. I'm not quite there yet, but you never know.

I'm listening to Metallica's Master of Puppets album right now. I was at Disc Jockey and it suddenly occurred to me that I've never actually owned the album or listened to it all the way through. It came out in like 1986 and I was 9 and very, VERY forbidden from listening to this kind of music. I consider that a crime, but how did my parents know that Metallica would become such an important cultural influence? Wait, what am I saying? They probably still wouldn't like me listening to this. "Chop your breakfast on a mirror." C'mon mom and dad, what's a little cocaine in the morning between friends? Yeah, okay, I guess I kinda see the point.

I bought a couple other albums: Pearl Jam - Lost Dogs, Pearl Jam - rearviewmirror, and Stevie Ray Vaughan - The Essential. Little secret between me and the Internet: I've never actually owned an SRV album until now. I've downloaded stuff from iTunes and Napster (before Big Brother Hammerfist came down) but I've never been much for buying actual albums. Darrin's influence is changing that, however, and I've found a new way to separate myself from my money. In all fairness, though, I just bought 102 songs for $58. That's like 57 cents a song. Not too bad, I don't think. It's a DOLLAR on iTunes. And for some reason, I keep paying it. Ridiculous.

The Jaguars are playing their first playoff game in years here in about 28 minutes, so I'm off to watch them and pray for victory. They've been a tough team to root for until this year. 12-4!! GO JAGS!!

Friday, January 06, 2006

David knows Chuck! :)

Auditioning was nerve-wracking for the first hour or so, but once we got in a groove things smoothed out. I'm also looking for a smaller amp than the Deville 410 that will still pack a punch but will be more practical for hauling around in a Saturn. I think I'll check out the used guitar shop tomorrow and see what Chuck's got.

Oh, and I found out last night at my lesson that my guitar instructor knows Chuck really well, and I may get an even better discount by mentioning that him over there. That would be sweet, because while the prices are already kick-ass, I'm not a wealthy fella and need to save wherever I can.

My guitar instructor is really cool, too. It's nice to go into a lesson and basically decide for myself what's on the agenda. He respects my level of play and dedication not to talk about practicing scales or whathaveyou, because he knows damned well I do that all the time. But the concepts and techniques that he's introducing me too; I'm kicking the shit outta myself for not starting this 5 or 6 years ago when I hit my first plateau. That's a message for any of you "self-taught" players out there, by the way. Think it over.

Thursday, January 05, 2006

First Steps

Your life won't ever matter to anyone else if it doesn't matter to you, first. Even self-defeatests like Edgar Allen Poe, don't kid yourself. That guy had ambition, despite what appeared to be a severe state of depression. In fact, his lofty ambitions are probably what led to his depression in the first place.

Someone said, "It's far better to set your goals too high and miss them, than to set them too low and reach them." I think that's pretty profound. There are too many under achievers on this rock.

But that's why I've decided to pursue musical performance. I've had it with mediocrity. I'm one of those guys who's good at a lot of stuff but great at nothing. Jack of all trades, master of none. I'm a corporate employee, a real estate investor, a bartender, a martial artist, a poker player, a chess player, a guitarist. And I'm pretty good at all of those things, but I'm not great at any of them.

Guitar is my first love. I got my first baby six-string when I was 10 years old, but it sat in a corner for two two years. I started learning to play when I was 12 on my mom's classical guitar. Imagine "Smells Like Teen Spirit" on nylon strings. But I played that sucker till my fingers bled, literally. (I didn't play with a pick at that time, so that happened pretty quickly.)

I got serious about playing when I was 12 and joined my church music group here in Kentucky. After learning all the chords, one of the guys in the church band introduced me to the concept of scales and trills and such, although I mainly focused on chords and rhythm. Then, one Christmas I got a '77 Aries II electric guitar, and a 9-volt miniature amp with a hip-clip. The guitar was really beat up and didn't work well, so the revolution didn't happen right away.

I spent most of high-school playing acoustic, and my first influence was Eric Clapton's Unplugged album, released in 1992. I managed to get my hands on the cassette tape that year (I didn't have a CD player yet) and my guitar was tuned to that tape. I spent hours playing along with Signe, Before You Accuse Me, Lonely Stranger, Layla, and had Tears In Heaven down so well that I played it for my first live performance outside the church.

That performance was at an event called Senior Night Live at a local Catholic High School. I wasn't a student there, but my best friend at the time was and I played the event in concert with him. Tears in Heaven got a rousing, standing ovation. That was my junior year of high school, which was the same year my parents split up. It was a nasty break, and with the chaos and lack of support it created, my music ambitions were snuffed out as I bailed out and joined the Navy.

Long story short, that led to a whirlwind of changes that landed me broke, homeless and car-less in 1997, easily the worst year of my life to date. During that time, my focus on music waned considerably, and although I had my guitar, my song-writing and practice had diminished greatly as I struggled to survive. By the end of the year, however, I had enough baggage that I was able to come out with some pretty decent songs that I still have in my bag today. The recovery from 1997, however, came in the form of a brand-new, relatively high-paying job at a Fortune 500 printer manufacturer. I was making $11.75 an hour doing tech support, working 50 - 60 hours a week with overtime pay. Compared to the $6.15 I was making at Radio Shack working 36 hours max per week, this was a godsend, effectively tripling my income.

Finally able to pay my debts and bills, I got my shit straightened out and in the process met my future wife. We're happily married to this day. The trade-off for my financial success, however, was the that guitars went the way of the closet, collecting dust. Mostly this was because I had left my guitars at my mom's house when I was homeless and, since she and I were not on speaking terms, I hadn't gotten them back. After we patched things up, the guitars came back but by then my interest had focused to my new job and the first good woman I'd ever been with.
Said woman was actually instrumental (no pun intended) in reviving my interest when she spent a great deal of her hard-earned money to purchase me a very sweet, natural finish Simon and Patrick Luthier acoustic 6-string, my third guitar (not counting the baby-acoustic that I never really played.) I played the living hell out of that thing and my love for the instrument was rekindled.

The job then took us to Orlando, Florida, just a few months after we were married. While there, my career sky-rocketed and the promotions and raises were flowing well. My focus again shifted to the career, and a new love entered my life: poker. It started out as a game between friends, but as I watched the movie Rounders and began to research poker on the Internet, I realized that there was much more to it. This was in 2000, and the poker boom was just starting to brew, although I was oblivious to it. It was just coincidence that I started playing at that time.
Through countless hours of reading and practicing online, I became quite learned and was regularly cleaning up the table at our home games. Poker is addictive, and although I had recently purchased a very cool new guitar rig with my new-found wealth, I was hooked. My new Fender American Strat and HotRod Deville 410 sat virtually unused.

As an inexperienced card player, it didn't occur to me that regularly crushing my opponents in our no-limit games would lead to the death of that game. People don't like to show up every week and leave broke, and that's exactly what happened. I also hadn't developed the class to lose graciously, and so even when people won they left with a bad taste in their mouths. As the games became more and more difficult to assemble, I found out that some of my friends had musical talents and I picked up a bass player (Sean) and a drummer (Adam,) as well as a rhythm guitarist and lyricist (Darrin.) My brother (Matt) had bought me Cakewalk's GuitarTracks 2 recording software, and I invested money in Shure SM57 microphones, an ART DI/O pre-amp, a BOSS DR-670 Drum Machine, cables, etc., and we began recording a few rudimentary covers, as well as one original called "Another Day" derived from a great poem that Darrin had written.

Disaster struck in late 2002 when, as a second-in-command manager at our site in Orlando, I deduced that the call center would be closing. Uncertain as to our future, our "band" which consisted of all employees of the same company, had to concern ourselves with our financial futures and our project was put on hiatus. Luckily, all four of us were able to secure jobs back at the Lexington plant, and my new house had a huge basement, perfect for recording. All this time I had kept poker games going, however, and they were still my primary interest. The basement was also perfect for tables and chairs to host larger, more frequent games. I basically balanced my time between poker and guitar.

My career at work had leveled off, so there was ample time for practice and recording. As tends to happen with bands, however, things did not go well. Scheduling practice time was a challenge, and Adam just plain sucked at drums. I'd even sunk $500 into a basic drum set for him to use, and while he knew how to play, he just couldn't keep rhythm to save his life. And getting him to show up for practice was also a pain in the ass. Darrin then informed us that he had decided to pursue a career in stand-up comedy, and wouldn't be able to devote much time to our fledgling band, Unsung. To his credit, Darrin gave us plenty of notice and is today poised to find real success. He and I remain friends, so here's a plug for him: http://www.darrinhensley.com/. Darrin's a real good guy and has been a very important influence on my music ambitions. He's got an incredible wealth of knowledge not only about bands and musician, but he has a keen sense of the true meaning behind music and continues to impress that knowledge on me.

So anyway, the band broke up, but this time I kept up with my playing and spent hours each week listening to Stevie Ray Vaughan, John Lee Hooker, old-school Clapton, mostly blues rock and the like. My wife started a dog-breeding business and I kept playing poker, so we each had some side money to work with. That's when we started getting into the idea of investing in real estate and bought our first rental property. We still own it and it still makes money. It's a pretty cool concept to have someone paying you every month for the privilege of buying you a house.
I also picked up a couple new guitars at that time, an Ovation 12-string and then an Ovation 6-string. I also got a Strawberry Blonde acoustic amp, and the setup is very sweet. The poker thing went south as I blew my bankroll on an ill-fated venture that ended up being illegal in the end, although I was never caught. I decided the risk was too great and shut it down, but never recovered the thousands of dollars I'd invested in it. I still play, but on a limited basis.

Countless layoffs and financial upheaval in my company led me recently to make a decision. See, I've failed in countless ways at all the things I've tried to do, and almost always it's been a result of a lack of commitment on my part. My counselor explained that it's really pretty unhealthy to be a jack of all trades, without mastering anything. I took that to heart. Recently I was introduced (by Darrin) to the MySpace community site, and they have a very strong focus on music. I've been talking to some bands who are looking for musicians, one of which has label sponsorship and corporate backing. So I decided that it's time to make the commitment and give this guitar thing my all.

Having been "self-taught" (whatever that means) I decided to swallow my pride and started taking lessons from a local guitar instructor, David McClean (http://www.skinnydevil.com/). Having 16 years of playing under my belt, I blew through the first four levels in a matter of days. In the advanced material, I'm learning steadily and my playing has improved three-fold and continued to get better.

That brings us to Tuesday. I auditioned for a local drummer and bass player, and they seem to have liked what they heard. I've been asked to join as a power trio, basically, and we've got 16 covers and one original that we're currently working on. This group is a little more southern rock than I am, but it'll be a good experience for sure. I'm actually really excited, but it became clear very quickly that I have a LOT of work to do. I'm practicing night and day, hating the nine hours a day I waste in this corporate box, but making good progress.

My real inhibition right now is that, as a trio, I'm carrying lead and rhythm guitar, as well as lead vocals, all on my own. This is a real challenge, and we're open to the idea of a lead singer who plays rhythm guitar. They said a female lead tends to work best, but I'm sure they'd be open to anything. (So if you're a budding James Hetfield or Gwen Stefani here in central Kentucky, gimme a shout!) But, come hell or high water, we're gonna get some gigs and I'm gonna get some stage time. I'm gonna see this thing through to the end this time, and now there's a written commitment here on the Internet for all to see.

So if you wanna come with me, have a seat. It's all uphill from here.